3 countries provided the museum in Moscow suburbs with works of Marc Chagall

From November, 16th to March, 8th The New Jerusalem exhibition complex demonstrates the exposition of Russian-born Jewish artist

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Modern Art paintings were provided by The Centre Pompidou in Paris, The Museum of Marc Chagall in Vitebsk, The Pushkin State Museum of Fine Arts in Moscow, Chagall Museum in Nice and private collections from Russia, France and Belarus. The project’s curator was Ekaterina Selezneva, an expert from the Marc Chagall committee in Paris. She explains why the exhibition is hosted in The New Jerusalem: “All his life the artist was searching for His Jerusalem”. The New Jerusalem appeared in the vicinity of Moscow in the middle of the XVII century. Patriarch Nikon planned to create an architectural copy of the Holy Land near the capital. And in the XX century, a museum was built in the monastery. It was then separated from the monastery and began to operate independently. This New Jerusalem History became an impulse for the organizers to talk about religion, life and love on The New Jerusalem’s soil, taking as an interlocutor the artist Marc Chagall, who also managed to combine religious traditions and cultural spaces.

“Twelve Tribes of Israel” were created by Marc Chagall in 1959-1960. Private Collection

The exhibition features 238 works of art, including 22 sketches that Russian viewers will see for the first time as well as 105 biblical engravings. The last ones the artist painted by hand and gave as a gift to his second wife Vava Chagall.

"Portrait of Vava" was created in 1966 in Paris. You can the Eiffel Tower at the top right and The Paris Opera at the bottom
“Portrait of Vava” was created in 1966 in Paris. You can the Eiffel Tower at the top right and The Paris Opera at the bottom. Private collection

The idea of ​​the exhibition is expressed by the words of Marc Chagall himself: “Painting seemed to me some kind of window through which I flew into another world.” He claimed that he was “born between heaven and earth” and constantly resided in this “intermediate” space, understanding his existence in art and life, as being in a special dimension. For Chagall, there is no distance between the visible and the imaginary, between the subject and the symbol, between the concrete and the abstract. “He carries everything with himself” – as one of his key characters – a wanderer flying over the city with a bag over his shoulders, in which he carries all his belongings. “Honestly, I am a man with one house and a single picture,” the artist assured.

The work Chagall is most famous for is «‎Over the city» appeared in 1913
The work Chagall is most famous for is «‎Over the city» appeared in 1913. The Tretyakov Gallery

“Chagall’s characters are simply endowed with the gift of flying – like birds or angels. They are light, like happy love, weightless, like a dream, directed to heaven, like a balloon. The sky for them is the same habitat as the earth. Love transfers Chagall to other worlds, to distant and near cities,” says curator Ekaterina Selezneva.

«Clock with Blue Wing», created in 1914. Private collection in Paris
“Clock with Blue Wing”, created in 1914. Private collection in Paris

The title of the exhibition “Chagall: Between Heaven and Earth” refers to various periods of the artist’s career. His works of the first quarter of the XX century were devoted to “earthly life”. The paintings of the next 25 years are connected with “travels and bridges”. It was then, in 1931, that the author visited Israel. Paintings of the late period of his life may be characterized as “heavenly being”.

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How Audrey Hepburn became an icon of style

5 fashion attributes associated with the name of the actress

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Audrey Hepburn was born on May 4, 1929 in Brussels. Filmography of star of the film “Breakfast at Tiffany’s” has more than 100 works. “Roman Holiday”, “Sabrina”, “Ondine” became classics of the golden era of Hollywood. But Audrey Hepburn admired the audience not only with her acting, but also with her style. Ballet shoes, cropped trousers, short hair, massive glasses and clothes from Givenchy invariably associated with her name.

Ballet flats

Image of Audrey Hepburn for the role in the film "Sabrina"
Image of Audrey Hepburn for the role in the film “Sabrina”

The actress in her youth was fond of ballet, so she loved ballet flats and loafers, which resembled pointe shoes. She preferred flat shoes (especially Tod’s) to heels. She wore this shoe both in movies and in everyday life.

Cropped trousers

Образ Одри Хепберн для фильма "Любовь после полудня"
Love in the Afternoon (1957) – Audrey Hepburn

In the 1950s and 1960s, two trends struggled for leadership in the fashion industry — a laconic beatnik style and an extravagant haute couture. The symbol of the first became short pants, in which Audrey Hepburn starred in “Sabrina” and “Funny Face”. The image she added ballet flats.

Short haircut

Одри Хепберн на съемках "Римских каникул"
Audrey Hepburn in the movie “Roman Holiday”

Ultrashort haircuts, pixie and bob became iconic in 1965 thanks to the British stylist Vidal Sassoon, “The Beatles of Hairdressing”, according to the NY Times. But the heroines of Audrey began experimenting with hair length even earlier. So, Audrey has no curls in “Roman holidays” of 1953 and “Sabrina” 1954. She follows the same tendency in the films “Love in the Afternoon” 1957, “How to Steal a Million” 1966 and “Two in a Way” 1967.

Massive glasses

Модель солнцезащитных очков "Manhattan" Oliver Goldsmith в фильме "Завтрак у Тиффани"
Sunglasses model “Manhattan” Oliver Goldsmith in the movie “Breakfast at Tiffany’s”

In the early 1960s, Hollywood celebrities and Audrey Hepburn turned massive sunglasses into a trend. The actress favored the British brand Oliver Goldsmith. So in “Breakfast at Tiffany’s” Holly Golightly appears in glasses with leopard rim and dark green glasses – this is the Manhattan model, which is confused with Ray-ban Waybarer. The main character of “How to Steal a Million” Nicole, and Yuhu Joanna in “Two on the Road” chose Koko in a white volume frame. All three vintage models can be purchased in brand boutiques.

Sunglasses “Yuhu” Oliver Goldsmith in the movie “Two on the Road”

Fashion house Givenchy

Audrey Hepburn was a muse and a close friend of designer Hubert de Givenchy. He created dozens of costumes for her heroine, including a lace veil, which the actress showed in the movie “How to Steal a Million”, and a miniature black dress with a cut on the back, which became the hallmark of “Breakfast at Tiffany’s”. Audrey has repeatedly said that the status of an icon of style is a merit of Hubert de Givenchy.

Одри Хепберн в фильме "Сабрина"
Audrey Hepburn in a Givenchy dress in the movie “Sabrina”

Many of the outfits created by this designer, entered the history of fashion. Sketches are often rethought, refined and reappeared on the podiums. Thus, a dress with a boat neckline, which the heroine “Sabrina” wears, formed the basis of the wedding dress of Meghan Markle, Duchess of Sussex in 2018.

Свадебное платье герцогини Сассекской
Wedding dress of the Duchess of Sussex

The son of the actress, Sean Hepburn Ferrer, in a book devoted to his mother, “Audrey Hepburn, An Elegant Spirit”, tells the story of how Hubert de Givenchy provided a personal jet for his mother. She was diagnosed with a tumor at the age of 63. Doctors suggested that no more than 3 months left to live. Audrey’s only desire was to leave the California hospital, return to Switzerland and spend the Christmas holidays with her family. The flight would not have taken place without the help of friends Hubert de Givenchy and Bunny Mellon. The aircraft was lined with flowers. After the death of the actress, the designer was appointed the official manager of the inheritance.

Around the World with Dior: cruise shows from French Fashion House

A resort show of the brand took place in Marrakech on April 29

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The place of rendezvous for celebrity, VIP guests, stylists, journalists and other representatives of the fashion industry was the Palace of El-Badi, built in 1578. Models demonstrated clothing with ethnic music. The pond, lined with candles, was the setting for the podium. Fabrics with waxed prints, which incorporate the cultural code of African countries, have become the leitmotif of the show.

The destination for the third show with Maria Grazia Chiuri was not chosen by chance. 2020 collection is an homage to the work to Yves Saint Laurent, who drew inspiration in Morocco from the time of his debut work for the home.

Demonstration of resort clothing in Marrakech – this is not the first show of the brand abroad. Cruise collections more than once traveled beyond the borders of their native Paris for the 72-year history of the brand. In 1948, a year after the foundation of the house, Christian Dior launched the Resort and Spring project, the Russian media called it a cruise collection. Potential clients of the campaign are American women who like to spend their winter holidays on warm islands.

“If you travel a lot, you need compact clothes — lightweight and unshakable, which does not take up much space in a suitcase,” Christian Dior wrote in his “Little Fashion Dictionary”.

Christian Dior Resort 2007 in the time of John Galliano

John Galliano revived the tradition of cruise shows. The show took place in New York in 2006, after which Resort-collections became an obligatory part of the fashionable Dior calendar. Since then, the show has been demonstrated twice in New York in 2007 and 2008. The cruise collection visited Shanghai in 2009. In May 2015, Villa Palais Bulles, a futuristic sculpted mansion of the Hungarian architect Antti Lovag, was chosen as the showcase for the cruise collection. This mansion resembles a stretched mass of terracotta colored bubbles. Then Christian Dior fans were invited to the residence of the Dukes of Marlborough Blenheim Palace, near Oxford, where in 1954 Christian Dior made a show of the winter collection to raise funds for the British branch of the Red Cross.

Dior cruise collection at the Palais Bulles Villa

Maria Grazia Chiuri left the post of Valentino creative director and took the place of Raf Simons who left Dior in 2016. Her first cruise collection 2017 was held in the California desert, and the next one took the audience to the equestrian Palace of Chantilly, built by architect IV Auber. This estate played a big role in the history of the fashion house, Christian Dior called a bright symbol of the French savoir-vivre (“the art of living”).

Show of Dior cruise collection in the California desert

 

Почему Ким Кардашьян носит винтажный Мюглер?

Тьерри-Максим Лорио организовал обмен творческими вселенными

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Король живописи в Эрмитаже

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Дом Chanel отказался от меха и кожи экзотических животных

В Нью-Йорке прошел модный показ Chanel Métiers d'Art 2018-2019

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На ком бельишко за миллион баксов?

В Нью-Йорке прошел ежегодный модный показ Victoria's Secret

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Покрас Лампас в Новом Манеже

Что показала выставка одного из самых востребованных художников

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В четверг 27 сентября в «Новом Манеже» закончилась выставка одного из самых востребованных художников современности – Покраса Лампаса. Основатель движения Calligrafuturism на 3 недели превратил выставочное пространство в постоянно меняющийся перформанс, в ходе которого мастер творил, работал с холстами и инсталляциями, сотрудничал с моделями, блогерами и фотографами.

Покрас Лампас в Opera Gallery в Дубае
Покрас Лампас в Opera Gallery в Дубае

Художник был замечен среди других стрит-артистов благодаря применению собственного алфавита и техник каллиграфии. В работах он использует цитаты Маяковского, Малевича, Кандинского, отдавая дань русскому авангарду 20 столетия, который и повлиял на становление граффити-райтера.

В 2015 году он декорировал крышу завода «Красный октябрь», площадью 1625 метров, создав самую большую каллиграфию в мире. Ее можно даже наблюдать из космоса, а для работы над этим арт-объектом, который по размерам сопоставим с двадцатидвухэтажным домом, мастеру пришлось сконструировать многометровую кисть.

В 2016 году работы Покраса Лампаса оказались в центре внимания в Opera Gallery в Дубае. Художник стал одним из самых молодых участников, творения которого когда-либо были представлены в этой престижной международной арт-галерее. В 2017 году стрит-райтер работал над росписью крыши Дворца Итальянской Цивилизации в Риме и пешеходного тоннеля ТРК «Атриум» в Москве. Но художник не ограничивается граффити, его можно назвать и дизайнером одежды. На выставке были представлены единственные в своем роде пальто, футболки, свитшоты, расписанные художником по просьбе друзей.

Роспись крыши завода "Красный Октябрь"
Роспись крыши завода “Красный Октябрь” в Москве

Покрасу сейчас 27 лет, и он успел поработать с такими известными мировыми брендами как Lamborghini, Fendi, Dries Van Noten, Nike и др. В «Новом Манеже» представлена расписанная им Ferrari. В этом году модный дом Yves Saint Laurent пригласил молодого художника на вечеринку в честь запуска мужского парфюма Y, где Покрас Лампас устроил перформанс.

Художник родился в 1991 году в городе Королев. Его настоящее имя – Арсений Пыженков. Прозвище стрит-артиста происходит от глагола «покрась», а «лампас» – абсурдная рифма, которую он подобрал. Арсений начал свой творческий путь в роли тату-мастера, но недолго задержался на этом поприще, так как считал, что тату – нечто личное, а он хотел публичности.

Одна из работ художника Покраса Лампаса
Одна из работ художника Покраса Лампаса, которая была представлена в Opera Gallery в Дубае. CØNTRÃST BETWĒEÑ, 2015

На выставке в «Новом Манеже» Покраса можно было узнать по рукам, покрытым не татуировками, а краской. Он постоянно работает, а в гардеробе посетитель мог обратить внимание на спальный мешок, предназначенный для художника. Возможно, эту манеру он перенял у Такаси Мураками, для которого музей современного искусства «Гараж» на 4 месяца также послужил и мастерской, и выставочным пространством, и ночлегом.