Everything Everywhere All at Once – an American science fiction action comedy that will be released in the summer of 2022. The film is about a Chinese-American immigrant named Evelyn who discovers that she can connect with versions of herself from parallel worlds. With the help of this new ability, Evelyn must now prevent the destruction of the multiverse.

The film, directed by the “Daniels” duo, paid off several times at the box office, grossing over $130 million on a budget of about $20 million. The love of the audience and the positive reviews of film critics eventually contributed to the fact that “Everything Everywhere and at Once” was shortlisted as a nominee for the Academy Award. As a result, out of 11 nominations, the film won 7 at once and received the golden statuettes in the categories of “Best Film”, “Best Director”, “Best Actress”, “Best Supporting Actor”, “Best Supporting Actress”, “Best Original Screenplay” and “Best Editing”.
Let us find out together what made “Everything Everywhere and All at Once” a box office hit and an Oscar 2023 record holder.
1. Best actress: a celebration of inclusion

Michelle Yeoh, who plays the title role in Anywhere, is a Malaysian actress of Chinese descent who has been active in both Asian and Western cinema. Michelle became world famous for the project Crazy Rich Asians, a film adaptation of the novel of the same name, in which the actress played the smart and charismatic mother of the protagonist. In the film “Everywhere and at once” Michelle showed the full range of her acting abilities, as the plot is set in parallel universes. From world to world she slipped into the most diverse roles – from a contract killer to a cook to a lesbian with sausages instead of fingers.

Critics note that besides the factor of Michelle’s acting talent, her origin allowed her to win. After all, Michelle Yeoh became the first woman of Asian descent to be awarded the title of “Best Actress”. In response to the criticism they had been receiving, the Academy strategically chose to award a statuette to a member of a national minority in order to maintain the film award’s rating. However, it is difficult to name such a factor as an unambiguous reason for presenting the Michelle Yeoh award. After all, the actress could really surprise the audience with acting, showing the full range of her skills on the screen.
2. Best Supporting Actor: The triumphant return of Jonathan Ké Kwan

Jonathan Ké Kwan rose to prominence in the film industry as a child as Harrison Ford’s boy assistant in Indiana Jones and the Temple of Doom in 1984. However, like many successful child actors, his career declined with age. Jonathan continued to work in film production, but as an assistant action choreographer and assistant director. The last film in which he took part as an actor before filming in Everything Everywhere and At Once was The Second Attempt, a 2002 fantasy drama that failed at the box office.
After the release of Indiana Jones and the Temple of Doom, film critics predicted a glorious future for the little charismatic boy, and some fans of the franchise called him their favorite character. That is why the return of Ké Kwan to the big screens after 20 years has become a long-awaited and joyful event for many viewers. For the first time after a long break, Jonathan not only played an interesting and diverse role but also immediately received an Oscar for it. Given that the actor’s awards culminated in a touching hug with Harrison Ford, this story seems like a good plot for a movie.
3. Best Supporting Actress: Jamie Lee Curtis as Tax Clerk

Awarding Jamie Lee Curtis at the Oscars came as a surprise with many film critics. In one category, actresses such as Angela Bassett (“Black Panther: Wakanda Forever”) competed with her, Kerry Condon (“The Banshees of Inisherin”), Hong Chau (“The Whale”) and Stephanie Xu, her colleague in the film “Everything Everywhere All at Once”, which played the role of the daughter of the main character.

After the ceremony, a flurry of criticism fell upon the film academy, as many predicted the victory of African-American actress Angela Bassett for the role of the Queen of Wakanda. In the film, she played a strong woman who, even after losing her son, could support her country and her people in difficult times.
The victory of Lee Curtis is justified by two factors at once. People overlooked Jamie Lee Curtis in previous award seasons. Jamie Lee Curtis began actively acting in films back in the 1970s, was a favorite of viewers and critics. But someone has not even nominated her for an Oscar. She could receive an award for “Everything Everywhere at Once” based on merit in the US cinema, as a tribute to her experience and talent, which had gone unnoticed for so long.
Second, the image of Jamie Lee Curtis in the film is really very different from the more familiar roles of the actress. We are talking about both the appearance and the scale of the role. At 64, the actress herself performed her own stunts in action scenes and, like Michelle Yeoh, skillfully changed images during the jumps between parallel universes during the film’s plot. However, it would be incorrect to deny the ambiguity of the film academy’s decision. Many viewers and critics have the impression that it gave the award to the actress “for long service”, which does not correspond to the principle of the award. After all, it is in such a case that there are special nominations in the film academy.
4. “Best Editing”: an undisputed technical victory

One of the main storylines of the film is the constant movement of characters between parallel universes. Each of these universes is special, with its own color and lighting solutions and scenery. The combination of these different universes and the creation of a coherent story from the most dissimilar expositions is the merit of skillful editing. The film is called “a triumph of surrealism and abstraction”: graphic inserts and sharp jumps create the illusion of immersion in a near-comic story, and the constantly changing visual range does not let you get bored behind static scenes. Editing enhances the impact of the story on the audience, as the effects inside the film no longer work at the expense of camera work or playwrights. Intra-frame movement, breaking the boundaries of the screen – all this made the installation of “Everything Everywhere and At Once” bright and memorable.
All the above together allowed the film to pick up the last three nominations – “Best Film”, “Best Director” and “Best Original Screenplay”. “Everything Everywhere and At Once” became an example of a commercially successful picture that conquered the film academy. An absolute win for a film of this nature clearly broadens the horizon of opportunity for future Oscar-winning filmmakers. And also, it clearly points to the shift towards new bold cinema that is happening in the film academy and in the world of cinema.